bmwiid:

xtaticpearlsblog:

fencer-x:

hugealienpie:

fruitpun-ch:

evan-v-thehomosapiens-agenda:

princessbelix:

calumshood-ie:

shadhavar1126:

cinnamonrollwithit:

bellamynochillblake:

abbygrifffin:

asroarke:

amren-rhyssecond:

shenko:

omgbubblesomg:

quinnandersonwrites:

Writing Advice: it doesn’t matter if an idea has been done before. It’s never been done by you. So long as you do it well, and in your own way, it’s a wonderful contribution.

*slams fists on table*

THERE WAS ONLY ONE BED

*flips table*

BEST FRIENDS TO LOVERS

*Kicks chair*

ENEMIES TO LOVERS

*throws lamp across room*

HELP I NEED A FAKE BOYFRIEND FOR MY EX’S WEDDING

*rips down the curtains*

THEY’RE FAMOUS AND THEIR FANS SHIP THEM

*clutches wine glass so hard it shatters in my fist*

THEY WERE ROOMMATES

oh my god they were roommates

AND THEY PINED MUTUALLY

YOU’RE FROM THE ROYAL FAMILY AND I AM JUST A SIMPLE SERVANT

THEY BOTH HAVE A SECRET THAT RELATES

THEY ARE ENEMY AGENTS

EVERYONE THINKS THEY’RE ALREADY TOGETHER

THEY DON’T REALIZE THEY’RE SOULMATES

Anyone who wants to write their own take on something that’s been done a million times should DO THE FUCK OUT OF IT.

Here’s something to get you started:

http://fencer-x.tumblr.com/post/155588510141/the-big-list-of-cliches

@ishipallthings

I WRITE THEM ALLLLLLLL!!!

I don’t care how many times you’ve read two dorks meeting and falling in love.

I WILL GIVE YOU MORE!!!

prokopetz:

firebirdeternal:

prokopetz:

avienbgwp:

prokopetz:

Comparisons between Detective Pikachu and the Super Mario Bros. movie are really kind of uncharitable. I mean, one’s an Americanised adaptation of a colourful, family-friendly Nintendo game that recasts its source material as a gritty investigative action-adventure piece featuring a pair of emotionally dysfunctional protagonists navigating a noir cyberpunk dystopia populated by grotesque monsters, and the other is… hm.

You’re really funny and original, you know that

The Silence of the Lambs stole its plot from Care Bears: A New Generation.

Consider:

  • Both stories feature a young woman who excels in her field, but is not taken seriously by her peers (Christy/Agent Starling)
  • Both protagonists cut a deal with a socially awkward monster (Dark Heart/Hannibal Lecter), who demands an unsettling but seemingly innocuous quid pro quo for his assistance
  • Both realise too late that the monster’s apparently disinterested aid is actually part of an elaborate scheme to draw out an older mentor who’s been watching over her (True Heart Bear/Jack Crawford)
  • Both are forced to enter a dangerous situation alone after the monster sends her allies on a wild goose chase (hunting Dark Heart’s shadow to the ends of the earth/investigating Buffalo Bill’s former Illinois residence)
  • Both plots come to a head with a final confrontation in an underground lair where young people are kept imprisoned for sport (Dark Heart’s pocket dimension/”Jack Gordon’s” basement)
  • In both cases, the monster walks free at the end, having never truly been called to account for his crimes (self-explanatory)

There’s a post out there that talks about how people nowadays act like being able to identify Story Tropes in a narrative is somehow indicative of that narrative being Bad or Badly Written, and then compares the ridiculousness of that stance to complaining that a wall is made up of Bricks or a boat contains identifiable Wooden Planks.

Well, yes; the second post is an illustration by example of exactly how seriously the first one is meant to be taken.

lullabyknell:

One of my favorite things about writers is that you can post any vaguely relatable “writer’s problems” sentiment and writers will use it to call themselves out. It’s like going up to a stranger of a fellow writer and saying, “Hey, are you down to absolutely roast yourself?” And the answer is always an enthusiastic, unwavering, “Oh, hell yes, let me tell you about this fuckin’ bitch.” 

Rehab for writing injuries

chicklette:

writerlyn:

onedamnminuteadmiral:

wrex-writes:

You’ve heard of “making writing a habit,” and you’ve tried, but the pressure to write fills you with horrible pain and dread. You spend all your time wishing you could write but somehow never writing. The “make it a habit” approach doesn’t work for you. But you still want to write, maybe even regularly. Is there nothing you can do?

Here is an alternative approach to try. A rehab program, as it were, for writers with a psychological “writing injury” that has destroyed their desire to write and replaced it with shame, anxiety and dread.


If you have a writing injury, you probably acquired it by being cruel to yourself, by internalizing some intensely critical voice or set of rules that crushes your will to write under the boot-heel of “you should.” “You should be writing better after all the years of experience you’ve had.” “You should be writing more hours a day, you’ll never get published at this rate.” “You should write more like [Hilton Als/Jeffrey Eugenides/Octavia Butler/Terry Pratchett/etc.].” “You should write faster/more/better/etc./etc.”

You know what, though? Fuck all that. Self-abuse may have featured heavily in the cool twentieth-century writer’s lifestyle, but we are going to treat ourselves differently. Because 1) it’s nicer, and 2) frankly, it gets better results. My plan here is to help you take the radical step of caring for yourself.


1) First of all: ask yourself why you aren’t writing. 

Not with the goal of fixing the problem, but…just to understand. For a moment, dial down all of the “goddammit, why can’t I just write? blaring in your head and be curious about yourself. Clearly, you have a reason for not writing. Humans don’t do anything for no reason. Try to discover what it is. And be compassionate; don’t reject anything you discover as “not a good enough excuse.” Your reasons are your reasons.

For me, writing was painful because I wanted it to solve all my problems. I wanted it to make me happy and whole. I hated myself and hoped writing would transform me into a totally different person. When it failed to do that, as it always did, I felt like shit.

Maybe writing hurts because you’ve loaded it with similarly unfair expectations. Or maybe you’re a victim of low expectations. Maybe people have told you you’re stupid or untalented or not fluent enough in the language you write in. Maybe writing has become associated with painful events in your life. Maybe you’ve just been forced to write so many times that you can no longer write without feeling like someone’s making you do it. Writing-related pain and anxiety can come from so many different places.

2) Once you have some idea of why you’re not writing…just sit with that.

Don’t go into problem-solving mode. Just nod to yourself and say, “yes, that’s a good reason. If I were me, I wouldn’t want to write either.” Have some sympathy for yourself and the pain you’re in.

3) Now…keep sitting with it. That’s it, for the moment. No clever solutions. Just sympathize. And, most importantly, grant yourself permission to not write, for a while.

It’s okay. You are good and valuable and worthy of love, even when you aren’t writing. There are still beautiful, true things inside of you.

Here’s the thing: it’s very hard for humans to do things if they don’t have permission not to do them. It’s especially hard if those things are also painful. We hate feeling trapped or compelled, and we hate having our feelings disregarded. It shuts us down in every possible way. You will feel more desire to write, therefore, if you believe you are free not to write, and if you believe it’s okay not to do what causes you pain.

(By the way: not having permission isn’t the same as knowing there will be negative consequences. “If I don’t write, I won’t make my deadline” is different from “I’m not allowed not to write, even if it hurts.” One is just awareness of cause and effect; the other is a kind of slavery.)

4) For at least a week, take an enforced vacation from writing, and from any demands that you write. During this time, you are not permitted to write or give yourself grief for not writing. 

This may or may not be reverse psychology. But it’s more than that.

Think of it as a period of convalescence. You’re keeping your weight off an injury so it can heal, and what’s broken is your desire to write. Pitilessly forcing yourself to write when it’s painful, plus the shame you feel when you don’t write, is what broke that desire. So, for a week (or a month, or a year, or however long you need) tell yourself you are taking a doctor-prescribed break from writing.

This will feel scary for some folks. You might feel like you’re giving up. You might worry that this break from writing feels too good, that your desire to write might never return. All I can say is, I’ve been there. I’ve had all those fears and feelings. And the desire to write did return. But you gotta treat it like a tiny crocus shoot and not stomp on it the second it pokes its little head up. Like so:

5) Once you feel an itch to write again—once you start to chafe against the doctor’s orders—you can write a tiny bit. Only five or ten minutes a day. 

That’s it. I’m serious: set a timer, and stop writing when the time’s up. No cheating. (Well…maybe you can take an extra minute to finish your thought, if necessary.)

Remember: these rules are not like the old rules, the ones that said, “you must write or you suck.” These rules are a form of self-care. You are not imposing a cruel, arbitrary law, you are being gentle with yourself. Not “easy” or “soft”—any Olympic athlete will tell you that hard exercise when you’ve got an injury is stupid and pointless, not tough or virtuous. If you need an excuse to take care of yourself, that’s it: if you’re injured, you can’t perform well, and aggravating the injury could take you out of the competition permanently.

For the first few days, all of the writing you do should be freewriting. Later, you can do some tiny writing exercises. Don’t jump into an old project you stalled out on. Think small and exploratory, not big and goal-oriented. And whatever you do, don’t judge the output. If you have to, don’t even read what you write. This is exercise, not performance; this is you stretching your atrophied writing muscles, not you trying to write something good. At this stage, it literally doesn’t matter what you write, as long as you generate words. (Frankly, it would be kind of weird and unfair if your writing at this point was good.)

6) After a week, you can increase your time limit if you want. But only a little! 

Spend a week limiting yourself to, say, twenty minutes a day instead of ten. When in doubt, set your limit for less than you think you’ll need. You want to end each writing session feeling like you could keep going, not like you’re crawling across the finish line.

Should you write every day? That’s up to you. Some people will find it helpful to put writing on their calendar at the same time each day. Others will be horribly stifled by that. You get to decide when and how often you write, but two things: 1) think about what you, personally, need when you make that decision, and 2) allow that decision to be flexible.

Remember, the only rule is, don’t go over your daily limit. You always have permission to write less.

And keep checking in with yourself. Remember how this program began? If something hurts, if your brain is sending you “I don’t wanna” signals, respect them. Investigate them, find out what their deal is. You might decide to (gently) encourage yourself to write in spite of them, but don’t ignore your pain. You are an athlete, and athletes listen to their bodies, especially when they’re recovering from an injury. If writing feels shitty one day, give yourself a reward for doing it. If working on a particular project ties your brain in knots, do a little freewriting to loosen up. And always be willing to take a break. You always have permission not to write.

7) Slowly increase your limit over time, but always have a limit. 

And when you’re not writing, you’re not writing. You don’t get to berate yourself for not writing. If you find yourself regularly blazing past your limit, then increase your limit, but don’t set large aspirational limits in an effort to make yourself write more. In fact, be ready to adjust your limit lower.

When it comes to mental labor, after all, more is not always better. Apparently, the average human brain can only concentrate for about 45 minutes at a time, and it only has about four or so high-quality 45-minute sessions a day in it. That’s three hours. So if you set your daily limit for more than three hours, you may be working at reduced efficiency, when you’d be better off saving up your ideas and motivation for the next day. (Plus, health and other factors may in fact give you less than 3 good hours a day. That’s okay!)

Of course, if you’re a professional writer or a student, external pressures may force you to write when your brain is tired, but my point is more about attitude: constant work is not necessarily better work. So don’t make it into a moral ideal. We tend to think that working less is morally weak or wrong, and that’s bullshit. Taking care of yourself is practical. Pushing yourself too hard will just hurt you and your writing. Also, your feelings are real and they matter. If you ignore or abuse them, you’ll be like a runner trying to run on a broken ankle.

I know I’m going to get someone who says, “if you’re a pro, sometimes you gotta ignore your feelings and just get the work done!” 

NO. 

You can, of course, choose to work in spite of any pain you’re feeling. But ignore that pain at your peril. Instead, acknowledge the pain and be compassionate. Forgive yourself if pain slows you down. You are human, so don’t hold your feet to the fire for having human limitations. Maybe a deadline is forcing you to work anyway. But make yourself a cup of hot chocolate to get you through it, literally or metaphorically. Help yourself, don’t force yourself. If you’ve had a serious writing injury, that shift in attitude will make all the difference. 

In short: treat yourself as someone whose feelings matter.


Try it out! And let me know how it goes!

Ask a question or send me feedback!

THIS

This is the kindest writing advice ever. I love it.

This is amazing.

spnfamily-alwayskeepfighting:

writingmyselfintoanearlygrave:

bookwisebriggy:

iamnmbr3:

When you’re writing and you can clearly see in your mind the exact expression a character is wearing or hear the exact nonverbal sound they are making, but completely fail at coming up with a way to explain it.

And he was smiling very smiley-like, you know, like a smile except even more smiley.

Typing various versions of ugh/egh/argh/blagh while repeatedly making the noise you’re trying to spell but none of them sound right

This is so accurate it hurts